In this series, the United States Eventing Association (USEA) is partnering with Athletux to critique your off-the-track Thoroughbred (OTTB) eventing prospects. Would you like to have your off-the-track Thoroughbred featured in the next edition of OTTB Critique presented by Athletux? We are looking for our next horse! Email your tips to [email protected].
Bred and owned by Thomas Bateman Jr., Brush Dance (Dance with Ravens x Phyxius) found his way into prominent racing trainer Timothy Keefe’s barn, which is where he stayed throughout his short-lived racing career. “He was a sweet, athletic horse but just didn’t have much interest for racing,” Keefe said. After just five starts, Keefe decided racing was just not meant to be for the youngster and instead brought him home to the family farm in May of 2017 when he was three. He was only at their farm for a day before Keefe’s daughter, Ryan, a talented young event rider in her own right, took him with her to Sharon White’s Last Frontier Farm, where she was a working student. The Keefe family was eager to see what White thought of their latest prospect.
It was nothing but up from there as once he was at White’s farm, Brush Dance was introduced to Cornelia Dorr, another very successful young rider, who was immediately drawn to his personality, potential, and work ethic. She scooped him right up and the two began to build their partnership. In just a little over a year together, Dorr and "Denny" earned top placings up through the Training level and USEA Young Event Horse classes. It has been an impressive year and an impressive start for this young OTTB who shows nothing but promise in his new career.
This month, we have Holly Hudspeth here with us to critique Brush Dance. Hudspeth is no stranger to eventing and OTTBs. She has produced many young horses through the levels finding success through the CCI5* level which included a ninth-place finish at the 2003 Pan American Games held at Fair Hill. Those young horses include a very special OTTB, Last Monarch. Always known for being exceptionally talented, "Stewie" and Hudspeth finished 17th at the 2010 Rolex Kentucky CCI4* and landed a spot on the shortlist for the 2010 World Equestrian Games. Hudspeth is excited to review this talented prospect of Dorr’s.
Hudspeth began by telling us a little bit more about what she looks for in an event horse and she starts with the canter. She noted, “The canter is the one gait we use in all three phases. It needs to be the strongest gate. In general, if a horse has a good walk, it will have a good canter.” Hudspeth also places a high level of importance on how uphill a horse is. “You also need to start with a well-balanced horse, built uphill, and not too long in the body. The longer the frame and the more the horse is built downhill (neck not coming up and out of the shoulder), the harder the balancing will be when riding,” she added.
Moving on to Brush Dance, Hudspeth began by noting that, “He is a well-proportioned horse. He has plenty of substance without being heavy and is not too light in the frame where the rigors of eventing could take a toll.” When she moved further down his body she touched on his legs. “The legs look straight with a nice 45-degree angle in the pastern, which nicely matches the angle of the shoulder. His cannon bones look short and strong, which is huge when the majority of the weight is on the horses front end, and they look straight from knee and hock,” she detailed.
Hudspeth also pointed out, “The shoulder has a nice slope to it which will help with the concussion of galloping and jumping. The neck comes nicely out of it, and in an uphill frame. This will help greatly with the horses’ natural balance.”
Besides the placement of the neck out of the shoulder, another very important conformation trait is the length of the back. “Brush Dance has a well proportioned back with the rest of his body,” she said. Why do you not want a long back? “Horses with a long back and straight shoulder will not be as well balanced,” she added.
Next, Hudspeth transitioned to his hips and hind end. “His hips have a nice gentle slope to them, which will aid in the rotation of the hips for collection and stepping up under himself with his hind legs. This also helps in following through with his hind end in the air when jumping,” she explained. “If you draw the imaginary line from point of buttocks to the ground, it runs nicely parallel along the back of the legs,” another positive feature Hudspeth pointed out.
After Hudspeth critiqued his conformation, she moved on to his technique. She started by saying, “Brush Dance carries himself in an uphill way. That means he naturally carries more weight on his hind end than his front end. His canter to the jumps is light upfront, which helps with the balance at the takeoff.” Hudspeth couldn’t stop raving about his jump style as well. “He has a beautiful bascule in the air. His expression is keen, and it always appears he is looking for the next jump,” she said.
As she continued, Hudspeth added, “Due to the angle of his hind end, he easily can follow through with his hips in the air. With this power from behind, there is a great deal of scope in his jump. That means there is room to spare between his belly and the jump!” Overall, Hudspeth said, “He has a lovely, soft expression in his eye, looks confident, and appears to enjoy his job.”
While Hudspeth did note, “He could have his forearms a bit more parallel to the ground when in the air and his knees could also be a bit more elevated,” she also added, “This will get better as this youngster gets stronger and more confident.” She is very impressed by Brush Dance and all of the qualities that point to him continuing to blossom into a very successful event horse. Hudspeth is looking forward to continuing to follow Dorr and Brush Dance as Dorr continues to produce him through the levels. With a horse like this, the sky is the limit!
We've been riding the "corona-coaster" for several weeks now, but with the hopeful return to competition on the horizon, Nicole Brown checks in with USEA CEO Rob Burk, USEA President Max Corcoran, and Chair of the FEI Eventing Committee David O'Connor for an update on what things will look like as we get back to business.
Like most professionals, I tend to do gridwork for most of the winter, before transitioning to coursework through the competition season. I find this exercise to be a good middle ground exercise as you have a little bit of a gymnastic combined with two easy bending exercises to set you up well for doing courses.
In 1993, Stephen Bradley had something to prove. It was the year after the Barcelona Olympic Games where Bradley had two unexpected refusals at the water complex. “It was very disappointing and a huge learning curve for me,” said Bradley. Little did he know, his path to redemption would result in winning the Burghley Horse Trials CCI4* (now CCI5*-L) – a victory so great that only two Americans have achieved: Bruce Davidson Sr. in 1974 and Bradley in 1993.
The United States Equestrian Federation (USEF) has approved additional modifications to the USEF Rules For Eventing in accordance with a resolution approved by the Board of Directors to address issues related to the effects of the COVID-19 Pandemic. The full listing of rule modifications related to COVID-19 impacts can be viewed by clicking here.